限時優惠 - Pro 年付立減 67%

專為影片創作者打造的AI影片生成器

A dynamic cinematic styled like a 1970s Japanese tokusatsu battle scene. Two giant rubber-suit monsters clash in the middle of a destroyed miniature city set. a giant purple monster walks into the movie set each step shakes the scene the monster poses angry The environment is a detailed miniature downtown: crumbling model buildings, scattered rubble, toy cars, smoke plumes, and broken street lamps. The scale feels large but clearly practical and handmade. Shot from a slightly low Dutch angle to emphasize size and heroism. The background features a dramatic painted sunset sky with stylized clouds in purples, oranges, and deep blues. Lighting is strong and theatrical, with studio spotlights creating dramatic highlights and deep shadows across the rubber suits. The overall look mimics vintage practical effects: visible seams, suit wrinkles, matte textures, chunky miniatures, and practical fire/smoke elements. Captured with a retro 35mm tokusatsu aesthetic: vivid saturated colors, slight grain, mild softness at the edges, and the charming imperfection of old special-effects shows. The moment shows both monsters mid-fight, poised for impact, full of energy and vintage cinematic flair

a neon lamp in the shape of two lily flowers, with rainbow colors against a black background, in the style of hyper-realistic photography.

a lone shopping cart overflowing with groceries cereal boxes plastic bottles produce paper bags all catching fire fully engulfed in bright orange flames in the center of an empty nighttime parking lot wet glossy asphalt reflecting vivid orange firelight and cool blue streetlamp tones tall street lamps casting crisp shadows and clean highlights a retro 1980s supermarket in the background with bright neon signage and glowing fluorescent interior lights bold geometric storefront design with perfectly clear visibility ultra-cinematic composition high-detail metal cart wires glowing from heat groceries burning with realistic textures and melting plastics strong color contrast between warm fire and cool night tones hyper-realistic dramatic lighting

$starting strictly from the provided reference frame the scene animates as if memory is being dragged through glass. motion does not begin cleanly but smears into existence with edges of the frame intermittently appearing and disappearing through soft mirror-like distortion. movement feels delayed behind itself as if perception trails the action by a fraction of a second. all motion is unified by open-shutter optical blur and echo persistence. shapes stretch duplicate faintly and dissolve back into themselves rather than cutting or fading. no literal fade-ins or fade-outs. instead elements emerge and retreat through smearing reflections refracted glass behavior and implied exposure drift. the image feels observed through layered panes of glass or a slightly intoxicated dream state. highlights bloom gently without flares. blacks remain soft and lifted. surfaces are matte and non-reflective. no sharp edges ever fully resolve. the camera presence is calm and deliberate. motion is smooth continuous and weighted never jittery or handheld. if the subject moves the world lags behind it optically. if the camera moves it glides slowly and steadily with no bounce or shake. the environment remains abstracted and unfocused prioritizing motion impression over detail. edges smear outward then collapse inward. reflections feel internal not mirror-perfect. distortion is organic and analog never digital or glitchy. color grading remains locked to the source image. no added contrast. no saturation boost. slightly desaturated cinematic analog film texture with subtle grain and softness. overall look: blur-heavy dreamlike optical and cinematic. everything feels implied rather than fully seen. Negative guidance (important): no lens flares no light streaks no sharp focus snaps no digital glitches no neon glow no literal dissolves no hard cuts no camera shake no modern HDR look$

a woman, wearing vintage clothes, navy blue pants and green wide shirt running, surrounded by blurred cars speeding past, motion blur streaks in red, orange, and green tones, captured at low shutter speed, cinematic composition, natural daylight, emotional contrast between stillness and chaos, soft warm lighting, vintage city cars, nostalgic atmosphere, minimalist beige wall in background, expressive body language, realistic urban environment, shallow depth of field, photorealistic, cinematic realism, poetic storytelling in one frame, inspired by fine art photography. Camera Tracking her as she runs

surreal dark-humor cinematic medium shot set in a dimly lit living room with dark green walls a young boy slumped face-first into a large frosted birthday cake on a coffee table framed from mid-torso up head gently buried in the icing in a playful non-distressing way shoulders and upper arms visible birthday candles still standing upright and lit wax slowly dripping flames steady and warm the contrast between celebration and quiet overwhelm creating an ironic cinematic mood the boy wearing a slightly crooked cone-shaped party hat confetti and cake crumbs scattered across the table one small hand resting limply near the cake edge subtle birthday decorations in the background—a few deflated balloons a loosely hanging paper garland and a partially visible birthday banner—softly out of focus against the dark green walls cozy domestic elements like a sofa and lamp blending into shadow low-key cinematic lighting with a warm practical lamp and gentle fill deep shadows and controlled highlights sculpting the subject rich textures in frosting candle wax fabric and wood restrained color palette dominated by dark greens and warm ambers shallow depth of field subtle film grain frozen moment of anticlimax and darkly playful humor photorealistic cinematic stillness no text no graphics no watermark

realistic sleeping child on pillow nighttime bedroom seven realistic sheep floating above the head inside a soft translucent dream cloud gentle motion subtle blur trails cinematic moody lighting calm color palette extremely detailed sheep fur and faces peaceful bedtime atmosphere magical realism photoreal soft volumetric glow. the sheeps are hovering above her head

A highly cinematic 9:16 drone-style fly-through of a dense futuristic–retro Chinese cityscape. Muted pastel colors soft teal and beige tones diffused midday lighting with gentle haze. The city is packed with retro tiled buildings weathered concrete neon Chinese signs stacked balconies rooftop additions rusted water tanks pastel cyberpunk towers and narrow vertical alleys. The camera moves like a small agile drone — not on a straight path. It banks slightly as it turns corners dips downward into an alley rises between tall buildings gently curves left and right and weaves organically through the environment. Smooth but dynamic FPV-style motion with subtle micro-vibrations and natural momentum. As the drone passes balconies and signage the parallax shifts richly. Neon lights flicker softly. Steam vents and floating dust catch the light. The atmosphere is dreamy muted cinematic with soft bloom and painterly realism. Color palette: pastel teal warm beige pale pink patina green desaturated yellow. Lighting: soft hazy filmic low contrast. Visual style: hyper-real yet painterly like the uploaded image — same softness same muted tones same cinematic mood.

$A powerful aging man sits alone at a desk in a modernist office. He wears a tailored dark suit perfectly composed his posture calm and authoritative. A lit cigarette rests between his fingers smoke curling slowly into the air. His face is unreadable at first — stoic practiced distant. Off-screen to camera right something violent unfolds. We never see it. We only hear the faint suggestion — movement a muffled struggle a sharp final sound. The man does not turn his head. His gaze stays fixed forward eyes slightly unfocused as if watching through memory rather than sight. A sudden fine spray of blood lands on his shirt cuff and lapel — subtle almost abstract. The contrast against the fabric is immediate and disturbing. He notices it a beat later. His expression tightens. Not fear — disgust. His eyelids squeeze shut for a brief moment as if trying to erase the image from his mind. His jaw clenches. The cigarette trembles slightly between his fingers before he regains control. He exhales smoke through his nose slow and deliberate. The room feels heavier now. The smoke drifts across his face softening his features blurring the line between control and revulsion. He opens his eyes again. Composed. Empty. The moment has passed but the stain remains. Camera: Locked-off medium shot; no camera movement; tension carried entirely through performance and atmosphere. Color Palette: Cold greys muted blues desaturated skin tones faint warm tobacco embers. Texture: Wool suit fabric smoke diffusion window glare skin pores quiet dust in the air. Tone: Cold moral detachment fractured by human disgust. Emotion: Power without mercy; control strained by consequence$

Low POV. Two race cars ahead on a barren alien surface, offset slightly left and right. Deep tire tracks carve through the terrain, leading the eye forward. Bottom of frame partially blocked by dark vehicle silhouette. ENVIRONMENT Desolate moon-like landscape, dusty granular ground, no vegetation, no structures. Rolling terrain stretches to the horizon. A massive planet or moon hangs low in the sky, partially shadowed, softly glowing. ACTION Cars racing forward at speed, dust trails illuminated by headlights. Ground texture streaks from motion. No explosions, no spectacle — pure mechanical movement. LIGHTING Only practical light from vehicle headlights. Harsh beams cut across the ground, creating long shadows and blown highlights. Sky remains almost pitch black. CAMERA / OPTICS Analog 16mm / degraded 35mm look. Heavy film grain, noise crawling in shadows, slight motion blur. Imperfect focus. No modern sharpness. Slight exposure flicker. COLOR / GRADE Muted toxic palette: dirty greens, pale cyan highlights, sickly moonlight, deep blacks. Looks chemically processed, underexposed, imperfect color correction. STYLE Bootleg sci-fi realism. Feels like forbidden footage from a lost 70s experimental film. Documentary, procedural, cold, lonely. No polish. NEGATIVE / DO NOT No neon, no futuristic UI, no clean CGI, no epic glow, no text, no logos, no people visible, no stylization. OUTPUT Raw analog sci-fi racing footage, grounded, eerie, cinematic realism.

Warm interior tungsten at 3200 K soft practical lamps low contrast with cozy falloff and visible texture in shadows. In a modest slightly retro living room a quirky young girl lies flat on a red textured carpet her arm stretched toward the camera. She holds a **magnifying glass** in front of her face which enlarges and gently distorts one eye and cheek. Her expression is curious thoughtful slightly deadpan — playful without performing. The frame is **highly centered and symmetrical** with carefully arranged background details: a small framed landscape painting on the wall a simple shelf muted wallpaper and tidy domestic objects. Everything feels intentionally placed storybook-like and still. From the first frame the **camera begins a slow deliberate dolly-in** moving straight toward her face and the magnifying glass. As the camera advances the distortion grows subtly stronger filling more of the frame while her real face remains calm and steady behind it. The movement is precise mechanical and gentle — never handheld — evoking a curated whimsical tone. The magnifying glass catches warm reflections from the room’s light adding small flares and soft bloom. Her fingers shift slightly on the handle a tiny human imperfection against the rigid symmetry. The world feels quiet intimate and oddly magical as if time has slowed to observe a small meaningful moment

A highly cinematic photorealistic retro Japanese subway interior flying through a peach–pink sunset sky. The lighting is warm directional and atmospheric — with sunlight streaming softly through the windows creating golden rim light long diffused shadows and gentle volumetric haze. All surfaces have a muted matte finish; NO harsh reflections or glossy CGI shine. The pastel mint and blush pink interior is color-graded with soft creamy highlights low contrast shadows warm halation and delicate bloom for a dreamy filmic look. Subtle grain and atmospheric diffusion create the feel of high-end cinema. Outside glowing clouds drift slowly past the windows casting warm painterly reflections inside. Depth is emphasized with a slight haze and soft focus falloff. The camera slowly dolly-forward through the aisle in a perfectly symmetrical 9:16 vertical frame. The entire mood is surreal calm dreamy and unmistakably cinematic — like a pastel arthouse film. Absolutely no hyper-clean digital look no harsh lighting no plastic gloss

Ultra-realistic cinematic wide-angle shot inside an empty 1980s corporate office interior. No furniture. No objects. Only plain off-white walls a low ceiling with rectangular fluorescent light panels clearly indoors. The entire floor is covered in real natural grass thick and uneven clearly growing indoors. At the start of the shot a large but not fully inflated inflatable smiley face sits several feet away from the camera. The inflatable is neon yellow glossy rubber-like with visible seams folds and wrinkles. It has simple black oval eyes and a thick curved black smile. Over time the inflatable continuously inflates without stopping. As it inflates it expands toward the camera in addition to pressing into walls ceiling and floor. The grass is flattened beneath it. The inflatable deforms heavily under pressure stretching and bulging. By the end of the shot the inflatable fills the entire room volume AND pushes directly into the camera lens. The smiley face makes physical contact with the lens occupying the entire frame. Perspective distorts as the surface presses forward. The final frame is extreme close-up with the inflatable touching the lens causing slight warping and softness at the edges. Lighting remains cold flat fluorescent with bright specular highlights sliding across the surface during contact. Camera is static wide-angle (18–22mm) and does not move or pull back. The camera cannot escape the inflation. Photorealistic materials global illumination cinematic realism. Overwhelming claustrophobic unavoidable. No people. No logos. No branding.

a cinematic image of a little girl riding a bicycle down a suburban street, wearing colorful clothes,, a green helmet, and bright beaded jewelry, with a cute jack russel sitting in a wicker basket at the front of the bike, golden afternoon sunlight casting warm tones, soft motion blur for speed, suburban houses in the background, nostalgic 1980s family film atmosphere, expressive and playful mood, shallow depth of field, natural soft lighting, photorealistic fine art cinematography, evokes childhood joy and adventure, ultra-detailed, cinematic storytelling composition. Camera Tracking her as she rides

A surreal unsettling white plastic horse-like creature with exaggerated sculpted features long rigid snout half-closed drooping eyelids with thick lashes and glossy uncanny-valley toy texture. The scene is dimly lit with a faint spotlight leaving most of the background in darkness. Slow almost imperceptible camera push-in. The horse barely moves except for tiny twitches in the eyes and subtle breathing motions. It leans its head forward unnaturally shadow swallowing half of its face and whispers in a chilling soft British accent: “Reality tastes like sideways rainbows…” The whisper is airy sinister almost too close with subtle reverb. Add slight flicker in the lighting eerie stillness and high-detail horror-surreal rendering

Animated scene of a massive futuristic mecha in a dark hangar igniting its blue plasma thrusters steam and sparks swirling as it prepares for launch. Cel-shaded anime aesthetic glowing blue light fills the frame camera slowly tilts upward to reveal its towering frame

Ultra-cinematic wide shot (16:9) inside a grand 19th-century ballroom / drawing room. Smooth dolly glide at eye level. The leading woman stands or sits foreground center, dominating the frame, with the ballroom unfolding behind her in elegant symmetry (tall windows, gilded mirrors, chandeliers, velvet drapes, marble columns). The staging is designed so her silhouette is instantly iconic. One striking aristocratic woman, calm and powerful. She has ABSURDLY HUGE, towering puffed pink hair, styled like an extravagant powdered wig but pastel pink — sculpted curls, cloud-like volume, stacked height, delicate pearl pins and ribbon accents. Her hair is dramatically larger than everyone else’s by far, rising above the crowd and reading as a sculptural crown. She is composed and unbothered, eyes steady, slight knowing expression. Behind her, a dense crowd of aristocrats in Victorian formalwear and normal-sized powdered wigs form a whispering wall of gossip: people lean toward each other, hands partially covering mouths fans hide lips while murmuring subtle side glances directed at the heroine small clusters whisper simultaneously, creating a visible ripple of scandal. Their expressions are tense, curious, judgmental, and excited. The whispering is the key background action and should be clearly readable. A charged pause: the heroine slightly turns her head as if she hears the whispering — the room tightens. A couple mid-waltz hesitates. A gentleman freezes with a gloved hand half-offered. The atmosphere is elegant but suffocating with gossip. Candlelit ballroom with warm gold reflections on polished wood floor. Dust motes suspended. Classical paintings, ornate sconces, carved moldings. Subtle haze from candles and perfume creates depth. Golden candlelight and chandelier glow as key, cool moonlight through windows as contrast. The heroine gets a gentle rim light to outline the enormous pink hair and separate her from the whispering crowd. Soft halation on highlights, volumetric rays through haze, dramatic shadow falloff. Shot on ARRI AMIRA, high dynamic range, smooth highlight roll-off. Premium lens character (Cooke / vintage prime vibe): creamy bokeh, gentle chandelier flares, elegant focus falloff. 50mm perspective, shallow depth of field: heroine tack sharp, background crowd softly blurred but expressions and whispering gestures still readable. Subtle film grain, prestige period color grade. Warm gold candlelight + cool blue moonlight + jewel-toned fabrics. The heroine’s massive pink hair is the bold color anchor, balanced by emerald/sapphire/burgundy accents in her gown. The crowd stays muted (cream, gold, dusty blue) to amplify her presence.

A retro-futuristic bubble-cockpit car speeds through a Japanese city street at high velocity. The camera is placed inside the cockpit showing the driver’s gloved hands gripping two joystick-style controls and a full dashboard of analog gauges dials and retro avionics. The wide curved windshield reveals the road rushing forward with soft motion blur on the buildings outside. The lighting is soft and muted with overcast cinematic tones teal-blue highlights gentle warm shadows and a 1970s-futurist color palette. The style should match muted filmic retro-future visuals: clean analog textures smooth rounded geometry pastel materials and subtle film grain. The video should feel cinematic and controlled with natural camera shake and fast movement outside the cockpit. Shot in 1:1 aspect ratio. Avoid cartoon looks avoid oversaturated colors avoid modern digital interfaces avoid clutter avoid excessive bloom or harsh contrast avoid sci-fi spaceships and avoid showing any people except for the gloved hands

ultra-cinematic night portrait of a woman in the center of the frame intense focused expression looking down as she lights a cigarette dramatic close-up composition surrounded by many hands reaching in from all sides holding lit lighters at least seven hands total eight lighters total flames creating warm highlights on her face and shoulders deep blue twilight sky background subtle city lights bokeh far in the distance high contrast lighting moody film still shallow depth of field sharp realistic skin texture glossy reflections on metal lighters hands layered in foreground creating depth 35mm cinematic look rich color grading gritty editorial vibe natural film grain crisp focus dramatic rim light and flame glow realistic smoke haze immersive intimate framing. she putts a n un litted cigareete in her mouth and the hands enter the frame to light the cigarette

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Seedance 1.0 Pro AI 影片生成器 — 多鏡頭電影級敘事

多鏡頭敘事 · Full HD 24fps · 流暢動態 · 93% 提示詞準確度

Seedance 1.0 Pro 是 ByteDance 專為敘事打造的突破性 Seedance 影片生成器。與其他工具不同，這款 Seedance 影片生成器可原生建立具有場景間流暢過渡的多鏡頭影片。只需快速生成即可獲得 24fps 的電影級 Full HD 輸出。憑藉 93% 的提示詞準確度和寬廣的動態範圍，該模型可處理從細膩表情到動作場景的一切。非常適合需要可靠 AI 影片生成器的電影製作人、內容創作者和行銷人員。

為什麼選擇 Seedance 1.0 Pro？

這款 Seedance 影片生成器以多鏡頭敘事、電影級 Full HD 品質和業界領先的提示詞準確度脫穎而出。這款 AI 影片生成器與一般工具截然不同。

原生多鏡頭敘事

一次生成完整敘事序列

Seedance 1.0 Pro 是唯一具有原生多鏡頭支援的 AI 影片生成器。生成具有流暢角度過渡的完整故事序列。角色在各鏡頭間保持一致 — 無需手動編輯來連接場景。

Seedance 1.0 Pro 進階功能

這款 Seedance 影片生成器讓您對影片生成的各個方面擁有專業級控制。

圖片轉影片動畫

上傳任何圖片，看模型將其賦予生命。您的參考圖片引導動畫，同時保持視覺一致性。非常適合為產品照片、藝術作品或概念設計添加動態。

為您的圖片添加動態

運鏡控制

這款 AI 影片生成器能準確理解運鏡指令。搖鏡、變焦、推軌或環繞 — 在提示詞中描述運動方式，模型會精確執行以達到電影級效果。

體驗運鏡控制

多角色場景

模型可處理具有多個角色自然互動的複雜場景。每個角色在執行獨立動作時保持一致性 — 非常適合對話場景和群體鏡頭。

建立多角色影片

誰在使用 Seedance 1.0 Pro？

這款 Seedance 影片生成器為各行業的創意工作流程提供動力。從短片到產品演示，了解專業人士如何使用多鏡頭敘事和電影級品質將創意變為現實。

短片創作者

Seedance 1.0 Pro 的多鏡頭功能讓獨立電影製作人可以在一次生成中建立敘事序列。在多個角度間建立故事弧線，同時保持角色一致性。電影級 24fps 輸出讓您的短片無需昂貴設備也能呈現專業效果。

電商產品影片

使用 Seedance 影片生成器展示產品實際效果。生成流暢的產品展示、360 度視角和生活場景。高提示詞準確度確保產品完全按照您的描述呈現。將靜態產品照片轉換為動態影片廣告。

多樣化風格內容團隊

今天需要逼真寫實，明天需要動漫風格？Seedance 1.0 Pro 能準確處理多樣化的風格指令。從賽博朋克美學到水彩插畫，為您的品牌活動生成任何視覺風格的影片。

社群媒體行銷人員

利用這款 AI 影片生成器快速生成的生成時間，建立讓人停止滾動的影片內容。快速製作多個影片變體進行 A/B 測試。流暢的動態和電影級品質讓您的社群廣告在擁擠的動態消息中脫穎而出。

視覺特效藝術家

Seedance 1.0 Pro 擅長物理效果模擬，如爆炸、水和粒子效果。為合成生成逼真的環境效果。寬廣的動態範圍可處理細膩細節和戲劇性動作場景。

照片動畫師

使用 Seedance 影片生成器將靜態圖片轉換為電影級影片。讓肖像栩栩如生，為風景添加動態，或從概念藝術建立動畫。您的參考圖片引導動畫，同時保持視覺一致性。

創作者對 Seedance 1.0 Pro 的評價

“這款 Seedance 影片生成器改變了一切。我現在可以在一次生成中建立完整的故事序列，而不是拼接片段。跨鏡頭的角色一致性令人印象深刻。”

Marcus Rivera

獨立電影製作人兼 YouTuber

“93% 的提示詞準確度是真實的。模型確實遵循我的複雜指令 - 運鏡、角色動作、場景轉換。其他 AI 影片工具會忽略我寫的一半內容。”

Zoe Chen

動態圖形設計師

“快速生成生成一個影片。就這樣。使用這款 AI 影片生成器，我可以在以前做一次渲染的時間內製作 20 個 A/B 測試變體。我的廣告效果顯著提升。”

Jake Morrison

社群媒體行銷人員

“這款 Seedance 影片生成器的圖片轉影片功能讓我決定購買。我上傳產品照片，就能獲得流暢的動態展示。我的電商影片看起來像是花了數千元製作的。”

Priya Sharma

電商品牌所有者

“模型中的物理模擬出奇地好。水、爆炸、粒子效果 - 它們看起來都很自然。我用它來做視覺特效參考，有時輸出已經足夠用於最終製作。”

Kai Nakamura

視覺特效藝術家兼內容創作者

Seedance 1.0 Pro 常見問題

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立即使用 Seedance 1.0 Pro 建立電影級 AI 影片

體驗 Seedance 1.0 Pro 多鏡頭敘事的強大功能。這款 Seedance 影片生成器只需快速生成即可交付 93% 提示詞準確度的 Full HD 電影級輸出。這是創作者信賴的專業影片內容 AI 影片生成器。

Seedance 1.0 Pro AI 影片生成器 — 多鏡頭電影級敘事